Does the development of digital media technologies follow fiction or does fiction follow technological fact? Your answer is probably going to entail tracing out a tangle of influences going back and forth from fiction to fact and fact to fiction. Consider, as you write, if the people behind the fictional story are connected to the people behind the development of the technology; the sorts of questions posed in the technical literature and how they connect to the narrative problems, of what I called in step 5, the sociotechnical imaginary. What are the gaps between the technologys depiction in fiction and the technology’s current state-of-the-art? What connections (personal, cultural, economic, etc.) exist between the storytellers of fiction and the scientists and engineers of the technology?